Julie Blackmon, Laying Out, 2015. © Julie Blackmon.

JULIE BLACKMON


Julie Blackmon (born 1966, Springfield, Missouri) is an American photographer whose meticulously staged, large-scale colour photographs occupy a singular position between domestic observation, art historical reference, and social commentary. Raised as the oldest of nine children, Blackmon studied at Missouri State University where she discovered photography through the work of Sally Mann and Diane Arbus, though she did not return to the medium professionally until years later, drawing on her experience as a mother of three as the foundation for her earliest bodies of work. Her practice is rooted in the tradition of Dutch and Flemish genre painting, in particular the raucous domestic interiors of Jan Steen, which she reframes through the lens of contemporary American suburban life with wit, darkness, and a precisely calibrated sense of unease.

Her series Domestic Vacations (2006), Homegrown (2014), and Midwest Materials have been exhibited internationally and received widespread critical recognition. She works in the same tradition as Jeff Wall and Gregory Crewdson, constructing vivid photographic fictions that use the language of everyday life to explore gender roles, the pressures of modern parenthood, and the complexities of contemporary culture. Her work has been featured in Time, The New Yorker, and Oxford American.

Her photographs are held in the permanent collections of the National Gallery of Art, Washington D.C., the Museum of Fine Arts, Houston, the Cleveland Museum of Art, the George Eastman Museum, Rochester, the Nelson-Atkins Museum of Art, Kansas City, and the National Museum of Women in the Arts, Washington D.C.